Garrett was born in Saint Joseph, Missouri. Shortly after her birth, her parents relocated to Seattle, Washington, where her mother, Octavia, managed the sheet music department in Sherman Clay, while her father, Curtis, worked as a traveling salesman. His alcoholism and inability to handle finances eventually led to their divorce, and Garrett and her mother lived in a series of residential hotels in order to curtail expenses.[1]
When Garrett was eight years old, her mother married the fiancé she had jilted in order to marry Curtis.[2] They settled in Regina, Saskatchewan, where stepfather Sam worked in the meat packing industry. A year later her mother discovered her new husband was involved in a sexual relationship with his male assistant, and she and Betty returned to Seattle.[3] After graduating from public grammar school, Garrett enrolled at the Annie Wright School in Tacoma, which she attended on a full scholarship. There was no drama department there, and she frequently organized musical productions and plays for special occasions. Following her senior year performance in Twelfth Night, the bishop urged her to pursue a career on the stage. At the same time, her mother's friend arranged an interview with Martha Graham, who was in Seattle for a concert tour, and the dancer recommended her for a scholarship at the Neighborhood Playhouse in New York City.[4]
Garrett and her mother arrived in Manhattan in the summer of 1936 and Garrett began classes in September. Her teachers included Graham and Anna Sokolow for dance, Sandy Meisner for drama, Lehman Engel for music, and Margaret Webster for the Shakespearean classics, and fellow students included Daniel Mann and Richard Conte. She felt she was destined to be a dramatic actress and shied away from playing comedic roles.[5]
[edit] Early career
During the summer months, Garrett performed in the Borscht Belt, where she had the opportunity to work with Danny Kaye, Jerome Robbins, Carol Channing, Imogene Coca, and Jules Munshin, and she was encouraged to hone her singing and dancing skills. [6] She joined Orson Welles' Mercury Theatre as an understudy in what was to be its last stage presentation, a poorly-reviewed and short-lived production of Danton's Death that gave her the opportunity to work with Joseph Cotten, Ruth Ford, Martin Gabel, and Arlene Francis.[7][8] She performed with Martha Graham's dance company at Carnegie Hall and the Alvin Theatre, sang at the Village Vanguard, and appeared in satirical and political revues staged by the Brooklyn-based Flatbush Arts Theatre, which eventually changed its name to the American Youth Theatre and relocated to Manhattan. It was during this period she joined the Communist Party and began performing at fundraisers for progressive causes.[9]
Hot Actress Betty Garrett
Hot Actress Betty Garrett
Hot Actress Betty Garrett
Hot Actress Betty Garrett
Hot Actress Betty Garrett
Hot Actress Betty Garrett
Hot Actress Betty Garrett
Hot Actress Betty Garrett
Hot Actress Betty Garrett
Hot Actress Betty Garrett
Red Skelton and Betty Garrett in Neptune's Daughter (1949)
Betty Garrett - Oka Doka Baby
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